Sleeping Where I Fall by Peter Coyote

SLEEPING WHERE I FALL

by PETER COYOTE

Published in April 1998 by Counterpoint

Out of the Sixties counterculture explosion came a radical street group called the Diggers who became the heart and soul of the Haight-Ashbury experience. Among its founders was Peter Coyote who has taken his memoirs of this anarchic and psychedelic era and woven them into a collection of stories from his life in San Francisco to communes and gypsy years on the road becoming part of the Free Family. It was during this time that Coyote developed his political consciousness continuing to define and refine it through the years.

Named after a group of 17th century free-thinkers in England, the Diggers dedicated themselves to building a new morality in place of the money-hungry capitalistic society, cutting through the cultural propaganda via the medium of both street theater and "free" programs. They began to distribute free food, provide free medical care and sponsor free rock concerts in Golden Gate Park featuring musicians like the Grateful Dead. They burned money, left its ashes and set out to create the condition they described.

"We imagined a world in which we could live authentically, without the pressures of economics dictating all personal choices. We made it real by acting it out." - Peter Coyote

Sleeping Where I Fall describes the stories behind that pursuit of absolute freedom, stories which are not only entertaining but a testament to the human spirit and the dreams of that generation and the groundwork it laid for the future. As a storyteller of countless tales with a cast of characters that often seem more fictional than true, Coyote also recounts his friendship with fellow edge dweller Emmett Grogan, who in 1972 wrote his own memoirs in Ringolevio.

Coyote has already received recognition for his writing having won the prestigious Pushcart Prize for Carla's Story, which was published in the '93-'94 Pushcart Anthology, a collection of short stories, essays and poetry often referred to as the "best of the small presses." Though no longer a separate chapter, the story of Coyote's relationship with Carla can still be found in his book.

Reviews & Interviews:

Interview with Coymoon, 4/1/98
Ralph Magazine, Mid-Fall 1998, review
San Francisco Examiner , 4/19/98, interview
NPR:Fresh Air, 4/28/98, interview via transcript
Los Angeles Times , 6/4/98, interview
New Age Journal, July/August issue, interview
Townonline.com, 7/21/98, interview
Shambhala Sun, November issue, interview
Page One newsletter, 2/99, interview
La Pagina, 3/14/99, review

Review by Library Journal:
Coyote not only survived the excesses of the Sixties and Seventies but emerged from years of journeying through the counterculture to achieve success as an actor. Considering the numerous casualties among radicals, who, like Coyote, were heroin junkies living on the edge of society, this is a rare feat. In this frank yet sensitive memoir of those years, Coyote contradicts romantic notions of communes by recalling the discord and petty disagreements typical in his own communal living experiences at Olema ranch and Red House. He describes the chaos created by the Diggers, an antiestablishment group of which he is usually considered a founding member and leader, famous for their stores where everything was given away free, and he remembers his stoned life in Haight-Ashbury. Eventually, he surfaced to work with the San Francisco Mime Troupe, for which he received a special Obie Award. Coyote's thoughtful, articulate writing displays a compassionate wisdom that puts this chronicle in a class above the typical actor's autobiography. Highly recommended for relevent subject collections in academic as well as public libraries.

Review by Coymoon:
Peter Coyote has already made a name for himself as a film actor, political activist and narrator, whose voice can be easily recognized in an infinite amount of commercials, documentaries and audiobooks. Now comes his best and most challenging narrative of all - "Sleeping Where I Fall" - his own story based on the years when he was part of the Sixties counterculture explosion as one of the founders of a radical street group called the Diggers. Peter has taken his memoirs of this anarchic and psychedelic era and woven them into a collection of stories from his life in San Francisco to communes and gypsy years on the road as part of the Free Family. Says Coyote, "We imagined a world in which we could live authentically, without the pressures of economics dictating all personal choices. We made it real by acting it out."

What few people know is that Peter has always thought of himself as a writer first and foremost since his college days pursuing a master's degree in creative writing. Now with the release of this book, he further fulfills a dream by entering the literary world as a gifted writer, evidenced by the reviews of Library Journal, Publishers Weekly, Omnibus, San Francisco Chronicle and many more.

His story is told with great humor, candor and self-critical analysis. Peter is not afraid to reveal himself giving accounts of both his generosity of spirit and his character flaws. Ironically, the very first chapter starts out with "While still an undergraduate at Grinnell College, I had fallen in love with Jessie Benton, a captivating woman I met one summer on Martha's Vineyard." This passage alone is a premonition to his perpetual attraction to women, a beguiling enchantment which could culminate in euphoric days and nights but, also, in broken relationships often bringing hurtful and destructive consequences. There's poetry in his descriptions of nature as witnessed in some of his music - "all the splendors of creation set the marrow trembling! in my bones." (from "Rainbow Woman") His prose has lyrical clarity dotted with clever metaphors and similes that bring his images to life and convey a myriad of experiences and feelings from peyote and heroin highs and camaraderie in communal living to his bitter conflicts with both the mother of his daughter and his overbearing father.

"Sleeping Where I Fall" is an extremely personal account of his search for truth, understanding and wisdom. Though he rode with the Hell's Angels and lived a life of dangerous drugs, you will come away still sensing an innocence about Coyote, a man who wanted to dream the future because, as with all youthful idealism, he believed there was something more to be gained in this world other than materialism.

His accounts of this pursuit of absolute freedom are often seductive, always fascinating. He writes objectively, careful not to romanticize or glorify the times. He's very frank, darn-right earthy as in his example of pearls of wisdom. He shares tales of living with drug-crazed friends whose demons sometimes propelled them to an early death. One comes away with the feeling of having spent time at Red House, Black Bear Ranch or Olema, becoming intimately acquainted with a whole host of colorful characters, such as Moose, Natural Suzanne, Ron Thelin, Sweet William, Nichole, Carla, Rolling Thunder, Chocolate George, as well as their inventive modes of transportation like Dr. Knucklefunky.

There is as much sadness as there is laughter, but it's a book you'll find hard to put down. It's not only entertaining, but a testament to the human spirit and the dreams of that generation, and a tribute to the groundwork it laid for the future. As a masterful storyteller, Peter succeeds in bringing more honest illumination to the Sixties, an historic period in our country that has not always been defined or treated fairly. If any fil! m critic hasn't yet understood the charisma, the complex persona and intelligence that Coyote brings to his screen roles, they should definitely read this book.